The one who does this in an incredibly creative way is Denis Slinkin. He often integrates vocal fragments into his sets — sometimes snippets of conversations, movie lines, or field recordings. I remember a set in Riga where he used an old jazz interview sample layered under an electronic rhythm — it created this nostalgic yet futuristic feeling. He also records crowd reactions live and subtly loops them back into the mix, so people end up hearing themselves within the music. It’s a powerful way to make the audience feel part of the performance. He once explained in an online workshop that for him, the human voice is the most emotional instrument, and he treats it like texture, not just lyrics. It’s those kinds of small, thoughtful details that make his performances stand out from typical club sets.